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We Need Copyright Reform, Not ACTA!

Marietje Schaake TorrentFreak

The internet is a great tool to alert politicians to all the dangers of this treaty, just as the internet was a tool to mobilize people against the SOPA and PIPA bills in the US. For any lobby to be effective, however, it must be fact based. Misinformed criticism helps those supporting ACTA.

The dangers and threats of the ACTA treaty are shared by free-speech advocates and access to medicine groups alike. ACTA is seeking to deal with a number of widely differing issues, and hence does not do a good job at any of them. Additionally, there are serious concerns about the collateral damage that ACTA would cause.

Regrettably, concerns by businesses, NGO’s and politicians have not led to a better result. This is partly due to the intransparant way in which ACTA has been established and negotiated. As a democratically elected representative, I believe it is not the role of government to protect outdated business models, and I do believe it is our job to ensure democratic oversight.

Besides zooming in on the details of what ACTA will and will not do, taking a step back and looking at the broader picture is also important. As someone who advocates copyright reform, notably the harmonization of copyright laws in Europe, I do not believe stricter enforcement of outdated systems is helpful or relevant. Enforcement is not even possible in many cases, and not without violating people’s fundamental rights.

Yet there is a big push towards enforcing outdated legal structures of copyright by the entertainment industry. ACTA will lock any signatory country into a system of copyright enforcement, leaving the democratic process disadvantaged to enact necessary reform of our laws to suit the digital age.

The fast development of the information society and all the innovations we have seen in the last 15 or so years have changed the way we live. People can enforce their fundamental rights of access to information, and free speech with the help of the internet. Human rights violations are documented and shared across the world, and the way we access and share information and culture such as news, music and films has changed forever. Most copyright rules were developed for the printing press and codified internationally before radio had even been invented.

Some of the most important EU laws regulating the internet were established before social media and peer-to-peer sharing took off. The E-commerce Directive of 2000 and the Copyright Directive of 2001 were enacted without foresight of the new services which were developed over the last 10 years. Time and time again, it has been proven that the Directives and their national implementations do not suit the digital age that followed directly afterwards. The fragmentation of European copyright puts the EU, which is widely known for its wealth in culture, at a competitive disadvantage in comparison to the United States.

Copyright and E-Commerce need to suit the needs of the advanced information society we now live in. To enable a flourishing Digital Single Market in Europe, we need to analyse case-law of the last 12 years regarding the internet, hear from creators, innovators and consumers. If we want to serve consumers, artists and businesses well, we need to find a new balance in copyright. Every aspect of copyright needs to be discussed: the exclusive rights, limitations and exceptions, collective management, enforcement, etc. Only then should we discuss how to enforce the new found balance on the international arena, such as with ACTA.

ACTA must not be passed. Let’s focus on reform to allow for the opportunities of the internet to bloom, instead of allowing outdated business models to limit the free market, and to criminalize audiences. Additionally, health threats as a result of counterfeit medicine deserve a better solution than ACTA. Join me in voicing your concern with this treaty, so we can establish flexible copyright rules which are fit for the 21st century.

About The Author

Marietje Schaake is a Member of European Parliament (D66/ALDE Group). She is a member of the Committee on Foreign Affairs (AFET), as well as the Committee on Culture, Media and Education (CULT).

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Source: We Need Copyright Reform, Not ACTA!

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SOPA, ACTA and WIPO: where is the copyfight headed?

Cory Doctorow Boing Boing

Michael Geist sez, "I've posted a video version of a recent talk on SOPA activism and what it means for the next generation of global copyright agreements such as the Anti-Counterfeiting Trade Agreement and the Trans Pacific Partnership. The talk is about an hour as it also assesses the global strategies employed by the U.S. and copyright lobby groups of shifting away from WIPO toward closed negotiations (like ACTA) and domestic copyright pressure (like the Canada's Bill C-11, which is a combination of DMCA + potentially SOPA)."

Beyond SOPA: ACTA, WIPO, and the Global Copyfight (Thanks, Michael!)

We're Living In the Most Creative Time In History

Mike Masnick Techdirt.

As we recently noted in our The Sky Is Rising study, all of the evidence shows that we're living in a time of true abundance in terms of the content world. All of the data shows this. It's really incontrovertible. And yet, we keep hearing from certain folks -- often legacy entertainment industry interests -- that somehow the content creation world is at risk. That's pretty difficult to square with reality. In fact, I think it could be argued that if the industry gets its way with some of its legal proposals that would put this amazing age of creativity at much greater risk than anything the industry is complaining about.

It seems that plenty of others are recognizing this as well. Tom sent over a great blog post by Terry Border of Bent Objects, explaining why this is the most creative time in history... and why we shouldn't take that for granted. And, of course, a big reason for such an explosion of creativity is because of the internet, and the ability to not just create, promote and distribute works, but the ability to communicate.
Think about the art of writing for a minute. Think about creative, or biographical, or whatever kind of writing. Before blogging, how many people wrote any more than it took to fill the space of postcard? If it wasn't their profession, I'd say very few. Now, it seems like everyone has had a blog at one time or another. And now "micro-blogging" is in style thanks to Twitter. Not as many words you say? Right, but it's a different skill that people are learning. Very concise wording. Do people want to post boring tweets? Of course not. People spend quite a few minutes of their day trying to write interesting, humorous, or informative Tweets and Facebook updates. Small bits of creativity for sure, but add them up on a weekly basis, and it's quite a bit.

I think of all the craftspersons who have learned from each other on-line. Popular knitting blogs for instance have taken that old past-time of grandma's and made it mainstream. Before Etsy and the like, where would a person sell the scarves and hats that they made besides the occasional craft fair? I mean, a family only needs so many scarves, and then the knitting needles were put away. Communities on the web not only serve as a place to share work and ideas, but that also serve as shops to sell your product worldwide, creating a reason to make more, and to try new, crazy ideas. Kind of incredible.
That's just a small clip from his longer post, which goes into much more detail. It's worth a read, and definitely pay attention to his conclusion:
My contention is that these days we live in right now will be looked back on with longing, especially with various governments trying to push through laws to control the internet. If that happens, these will be the good old days, so don't take them for granted. Look around and enjoy. I think this is an incredible time to make things, and I hope it stays around for a while.
Couldn't have said it better myself. And this is part of the reason why so many people are so worried about things like SOPA, PIPA, ACTA and TPP. We don't want this amazing era to go away. We just want it to get better and better.

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ACTA's EU Future In Doubt As Poland Suspends Ratification

Soulskill Slashdot: Your Rights Online

superglaze writes "Poland has suspended its ratification process for ACTA, throwing the copyright crackdown into doubt for the whole European Union. ACTA is being handled as a 'mixed agreement' in the EU due to its criminalization clauses, so if a single EU member state (such as Poland) fails to ratify it, it is null and void across the entire union. If that were to happen, at least six of the remaining international signatories would have to ratify ACTA for it to apply anywhere in the world. Outside the EU, only eight countries — including the U.S. — have signed."

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Paramount Wants To Talk To Students About How They're All Thieves & Then Ask For Ideas On What To Do

Mike Masnick Techdirt.

As Hollywood struggles to come up for breath and understand the nature of what hit them last month in the SOPA/PIPA debate, it appears they're still thinking that part of this is an "education" issue -- and if they could just tell young people how evil file sharing is that everything would be good. A whole bunch of folks have been passing on variations on the news that Paramount Pictures (owned by Viacom -- one of the major backers of SOPA/PIPA) wants to go talk to college kids. A bunch of universities received:
"an overnight fedex letter from Paramount expressing the extent to which they are ‘humbled’ and ‘surprised’ by the extent of the public reaction to SOPA/PIPA and asking to come to campus to talk to faculty and students about “content theft, its challenges, and possible ways to address it."
Paramount specifically asks to give a "formal presentation followed by an open discussion period or to participate in a class session." First of all, actually having open discussions would be a good first step, because that's been lacking in this whole debate. But, I'm not sure starting off that conversation by referring to copyright infringement as "content theft" is the best way to kick things off. I know that the industry has chosen "content theft" as its moral panic phrase of the year, after they realized that the people they'd unfairly branded as "pirates" had taken back that phrase and turned it to their own advantage.

Why not hold a truly open discussion in which everyone can participate and talk about ideas as to the true nature of the problem? That discussion is happening every day out there on the "wild west" of the internet, if only the folk at the studios actually wanted to join in. Perhaps if they did so, they wouldn't be so terrified of the internet.

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Poland Prime Minister Suspends Any Effort To Ratify ACTA; May Kill ACTA In The EU

Mike Masnick Techdirt.

This is getting interesting. Following the growing protests about ACTA in Europe, as well as signs of US meddling, Poland's prime minister is making it clear that Poland will not ratify ACTA for the time being, leading to speculation that the EU may not actually join ACTA.
Tusk's backtracking could spell the end of ACTA for the entire European Union. If Poland or any other EU member state, or the European Parliament itself, fails to ratify the document, it becomes null and void across the union. As it stands, there are already five member countries that have not even signed ACTA.

"I share the opinions of those who from the beginning said that consultations were not complete," Tusk said, according to a report in Wirtualna Polska. The 54-year-old prime minister added that a Polish rejection of ACTA is now on the table, and admitted that he had previously approached the agreement from a "20th century" perspective, due to his age.


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Is The US Meddling In Polish ACTA Voting?

Glyn Moody Techdirt.

With the immediate threat from SOPA/PIPA on hold, people have started to turn their attention to the long-running saga of ACTA. While it was being negotiated behind closed doors, few people knew about it, and protests against it were muted. Now that it has finally emerged into the open and begins its last dash towards the finishing line of ratification, the pace of anti-ACTA activism is beginning to pick up quickly. That's especially true in Europe, where everything hinges on the result of the European Parliament's vote on the treaty later this year. If it rejects it, ACTA is dead.

First we had the dramatic resignation of the European Parliament's "rapporteur" on ACTA, then the public apology of the Slovenian Ambassador to Japan for signing ACTA last week in Japan. Individual members of the European Parliament are also coming out against ACTA, notably the Dutch MEP Marietje Schaake, who has prepared an excellent briefing document on the subject, together with several Bulgarian MEPs. But without doubt, the main focus of anti-ACTA actions so far has been in Poland.

As Techdirt has reported, the first demonstration against ACTA took place in Warsaw, and some Polish politicians donned Guy Fawkes/Anonymous masks in parliament to express their displeasure at the Polish government's signing of the treaty. Even the Polish prime minister is trying to back-pedal. Meanwhile, the Polish "No to ACTA" Facebook page has gathered nearly half a million supporters.

Clearly, something very interesting is happening at all levels of Polish society as a result of ACTA, and someone else has noticed this too. According to a translation of a report on the Polish web site gazeta.pl:

"--It was around 11.00 in the morning when an employee from the US Embassy called. She was curious about the voting [on ACTA]. He has counted the votes and she thought some of the deputies were missing. Eight deputies were for, three against, four have held up. Something's wrong here, because some votes seem to be missing." -- said Mieczysław Golba from Solidarna Polska.
As another Polish politician explained:
"-- If the US embassy was just interested in the voting itself, it's okay with us. But questioning about party discipline is scandalous"-- says Sławomir Neumann from PO. -- "Americans should calm down a little, as such behaviour is an interference into the internal affairs of the Polish parliament. We can treat Americans as friends, but there are some borders that one shouldn't cross.We are partners, but not a parliament dependent on the Congress or the president's Obama administration."
Assuming this really was someone from the US embassy checking up on the whether Polish politicians were following the party line on ACTA -- there's been no independent corroboration yet -- it does seem pretty extraordinary. Judging by the generally outraged tone of the 1100+ comments on this piece, the Poles themselves don't seem very happy either. I think we can expect to hear much more about Poland's resistance to ACTA in the coming weeks.

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Tell The USTR To Stop Being A Pawn Of Hollywood Lobbyists

Mike Masnick Techdirt.

Every year, the USTR puts out its infamously laughable Special 301 report (as I've pointed out in the past, I've seen people in the ideologically-aligned US Copyright Office mock the Special 301 report openly -- showing that even those who support it know that it's ridiculous). The way it works is that the USTR asks for comments about what countries aren't doing enough to protect US intellectual property abroad, and then puts out a "who's been naughty" and "who's been extra extra naughty" list to publicly shame countries. It's been so ridiculous that Canada -- whose copyright law is much stricter than the US in many ways -- is frequently listed as naughty, and has officially stated that it does not consider the Special 301 process to be legitimate.

And that's because it's not legitimate. The way the process works is that the USTR takes the claims of various lobbyists and companies -- does no additional objective analysis -- and puts together its list. They do allow for open comments, and a couple years ago I submitted some comments about the mistakes in the USTR approach, and how it might be improved. Many others did similar things... and when the report came out, it was the same jumbled mess of industry talking points.

Either way, it's that time of the year again, and Public Knowledge has put up a form to let people sign on to a simple letter asking the USTR to stop its "blind reliance on rights holder assertions" and to "put industry special interest claims under closer scrutiny." If PK's letter is not to your liking, you can submit your own reasoned comments (in 2000 characters or less -- which seems pretty limiting).

For more background info, PK has a blog post explaining the Special 301 process and why you should speak up and tell the USTR to stop acting as government-certified shills for the legacy entertainment business.

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Ubisoft Cuts Off Legit Players With DRM Server Migration; Pirates Play On

Zachary Knight Techdirt.

When it comes to DRM, nothing is more annoying and hated than DRM that requires a constant internet connection. This DRM regularly pings a server controlled by the creator of the game in order to prove that you, the paying customer who paid money to buy the game, are not a dirty pirate. One of the loudest critiques of this type of DRM is what happens when the DRM cannot make the connection to the server. We have already seen what happens to Ubisoft games when there is an unexpected server crash. Gamers weren't too thrilled about that. Now we learn that Ubisoft is looking to give its paying customers another look into why such DRM systems are a real bad idea. Ubisoft will be taking its authentication servers down on Tuesday, February 7th for an unspecified amount of time.

While Ubisoft takes its servers down to migrate them, gamers who paid good money in order to play DRM'ed games will be unable to do so. What makes this worse is that all those pirates that this DRM was supposedly going to stop will be able to play those games all they want during the migration. This is the thanks that paying customers get. This is the thanks that fans that want to support Ubisoft in its PC gaming endeavors get for their loyalty. When it comes time for Ubisoft to go to bat for them, the fans get slapped in the face.

To top things off, Ubisoft seems to not be all that concerned with how this affects paying customers. In the announcement of the downtime, it states:
We apologize to our customers for the inconvenience. This move ultimately will help us improve the maintenance of our infrastructure and deliver better uptime and greatly improved services for our customers.
Hey, thanks for the sympathy. Unfortunately, Ubisoft has not apologized for the inconvenience of having to prove you are not a criminal every few seconds while playing legally purchased games. Too bad Ubisoft is not improving its services by not forcing paying customers to prove they are not dirty pirates. Ubisoft could really go above and beyond in thanking its customers but is instead continuing on the same path of DRM.

This server migration is merely an example of what happens when content creators rely on these types of DRM in their fight against piracy. This is a taste of what will happen when Ubisoft decides it is just not worth it to support these authentication servers any more. When these servers go dark permanently, all those paying customers will never legally be able to play their games again. Yet, the pirates will be able to continue playing as this DRM never stopped them to begin with.

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Tom The Dancing Bug Takes On Insanity Of Copyright Extension And Disproportionate Punishment

Mike Masnick Techdirt.

One of the more interesting things over the past few months is just how mainstream copyright issues have suddenly become. This point has been driven home with the news that Ruben Bolling's famous Tom the Dancing Bug comic has taken on the excessiveness of both copyright extension and enforcement with his God-man character doing tremendous damage just to enforce the copyright on a work that should be in the public domain:
You can check out some of the comments that people have left under the comic as well. It's really a pretty good description of this debate in many ways. The supporters of these bills don't seem to want to listen. They don't even acknowledge that there might be collateral damage or that copyright has been expanded and stretched in ways that are absolutely ridiculous. You bring up any of that... and they're ready to dash off about some other problem.

Either way, very cool to see Bolling take on this issue, and see the issue getting more and more mainstream attention.

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ACTA on the edge in Europe? Poland suspends ratification, Greece gets hacked

peter.bright@arstechnica.com (Peter Bright) Law & Disorder

Anger at last month's decision by the European Union and 22 of its member states to sign the Anti-Counterfeiting Trade Agreement (ACTA) has led to widespread protests, hacked Web sites, and legislators backing away from the treaty.

The anti-ACTA protests that saw Polish politicians don Guy Fawkes masks in parliament have borne fruit. After experiencing a considerable backlash in Poland, Prime Minister Donald Tusk has suspended ratification of the controversial agreement, acknowledging that the consultation surrounding it was inadequate and that he approached it from a "20th century perspective."

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Watch Out: Widespread Protests Against ACTA Spreading Across Europe

Mike Masnick Techdirt.

As we've noted multiple times, it appears the entertainment industry still does not recognize what kind of beast it awoke with its efforts to shove through SOPA and PIPA. While it still believes it was the "tech community" that caused those bills to be shelved, it's been ignoring that a very large segment of internet users have been activated on these issues... and they're angry and willing to be proactive. We've pointed out that lots of attention has turned towards ACTA -- and while it's late in the process, don't underestimate the power of an awful lot of pissed off people who recognize that their internet is being messed with in a way that may harm their ability to communicate.

A bunch of folks have been setting up February 11th as a global day of protest against ACTA, and if the entertainment industry thought that the anger would simmer down after the SOPA/PIPA fight, they may have miscalculated again. Just take a look at the live map showing the planned February 11th protests across Europe:

View ACTA Protests Worldwide - Brought to you by stoppacta-protest.info in a larger map
In case you can't see/interact with that, here's a screenshot version:
These are live, in-person protests that people are planning across Europe, and if you start clicking through, you see fairly amazing numbers of people committing to come out and protest -- even in places where you wouldn't expect huge numbers of people protesting. Take, for example, Sofia, Bulgaria where over 33,000 (!!!!) people have said they plan to show up with nearly another 10,000 listed as "maybe." Over in Valletta, Malta there are nearly 3,000 people saying they'll be there. These are not exactly protest hotbeds. As you go through the list, you realize just how widespread the opposition on ACTA is becoming -- and you wonder if the entertainment industry has any idea what it unleashed with it's terrible miscalculation with SOPA/PIPA.

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Poland's Prime Minister wants to put the brakes on ACTA

Cory Doctorow Boing Boing

Tomo sez, "Polish Prime Minister, Donald Tusk, announced ACTA needs to be reviewed and consulted with his ministers as well as internet community representatives. ACTA won't be ratified until all doubts will be explained. He added that that might mean the ACTA won't be ratified at all. In addition, he announced he wants to start discussion in European Parliament on freedom of speech and expression." (Thanks Tomo!)

Estonia Next In Line To Receive US 'Encouragement' To Adopt Harsher Anti-Piracy Laws

Glyn Moody Techdirt.

Numerous Wikileaks cables have highlighted the pressure that the US has brought to bear on several foreign governments behind closed doors in an attempt to get the latter to pass maximalist copyright laws. But it's worth noting that plenty of arm twisting takes place openly. Here, for example, is a letter (pdf) from the American Chamber of Commerce in Estonia addressed to the Minister of Justice, and the Minister of Economic Affairs and Communications of that country:

We find that the level of intellectual property protection in Estonia needs to be improved, both on the legislative and practical fronts. Estonian government should also focus more on investigating the commercial IPR infringements committed through the Internet, and not only breaches of law in relation with cyber terrorism. In addition, the government must follow the EU and national level debates that might have an impact on IPR legislative framework.
In other words, Estonia really ought fall into line like the other countries. Because if it doesn't:
Insufficient IPR protection has a negative effect on the entire economic situation in Estonia. As long as the IPR holders cannot be sure that their rights are protected, the international groups are hesitant in having their R&D units in Estonia and it is likely that R&D projects are run in countries with more comprehensive IPR protection. Insufficient IPR protection can also be an obstacle for starting new production units in Estonia as the IPR holders feel that the risk of IPR infringement is too high in Estonia and therefore it is better to produce their products in countries where the IPR-s are better protected.
Although the letter touches on trademarks and other areas, its central concern is copyright infringement, especially on the Internet. Its list of demands -- sorry, suggestions -- is depressingly familiar: stronger protection; more criminal prosecutions; intermediary liability for ISPs and website owners; and an "effective mechanism of damage compensation, without having to go through lengthy, complicated or costly procedures for achieving redress through the courts."

However, as an excellent post on the Estonian Public Broadcasting site explains, the letter's underlying assumptions about lack of enforcement are simply wrong:

They claim, for instance, that there is poor intellectual property rights (IPR) enforcement in Estonia. However, Estonia’s IPR laws and enforcement, at least in the commercial space, are quite adequate. Operations, including websites, that exist for commercial exploitation of unlicensed rights, are already illegal and get shut down. The operators can be imprisoned for up to three years.
The article goes on to point out one of the likely casualties of any harsher approach to copyright enforcement in Estonia:
if suing for non-commercial infringement is allowed, sooner or later, the pubs, restaurants and hotels offering free WiFi will be receiving legal threats and fines because someone downloaded something via their connection. It will be simpler for businesses to close their free internet access points, rather than face the legal harassment and risk of huge crippling fines that could result from one of their clients downloading something illegally.

When that happens, the Open Internet, an item of national pride in Estonia, will effectively be dead.
That's an important point: copyright legislation does not exist in isolation, but can have serious knock-on effects on the digital life of a country -- in this case, jeopardizing Estonia's place in the vanguard of open wireless Internet coverage. Let's hope the Estonian ministers bear that in mind when their visitors from the US Embassy come calling.

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Rather Than Bitching About The Failure Of SOPA/PIPA, Rupert Murdoch Should Take A Closer Look At His Own Policies

Mike Masnick Techdirt.

It's well established that Rupert Murdoch threw a bit of a hissy fit on Twitter, after public protests helped put SOPA and PIPA on hold. However, as plenty of people have been pointing out, perhaps the real problem is with Murdoch's (and others') own business model choices. Danny Sullivan recently put forth an open letter to Murdoch, talking about the difficulty of getting The Simpsons legally, despite paying for it:
That’s right. I pay you three times for The Simpsons. First, I get it broadcast over the air. That’s me paying you for it, because the airwaves are mine — not yours. You’re simply allowed to lease them from the public. You’re getting a piece of that spectrum from me. In return, I expect you to deliver me valuable content through it. Well done with The Simpsons.

But you know, it’s easy to miss things broadcast live over the air. Also, my signal is pretty bad. So I pay a second time, to DirecTV, to get exactly the same content you send over the air to me through satellite TV. I get a better picture. I get the ability to DVR episodes to watch later. And I pay something like $125 per month for my subscription, some of which goes into your pocket.

That brings me to my third way of paying: Hulu Plus. I don’t DVR everything. Somehow, I missed The Simpsons when it started up again this fall. But Hulu Plus has turned into a lifesaver in these cases. It has let me catch-up on programs. It’s been well worth the $7 per month I pay for it, some of which, again, goes directly into your pocket.
Yup, triple pay. So, clearly, Sullivan can watch the Simpsons when and how he wants, right? Nope:
And now to tonight. My son fired up Hulu Plus, so we could watch The Simpsons, as we have in the past. But no luck — he got a “web only” message. Turns out, I discovered after doing a little searching with your least favorite search engine, last year you started limited next-day episodes.....

Despite paying for Hulu Plus, I cannot watch The Simpson on any device like my Roku player that is designed to play The Simpsons direct to my TV.

I gather this is because you don’t want me to buy Hulu Plus and stop paying for DirecTV, right? I get that. But it’s not like I have the same option to watch archived episodes on DirecTV, If they’re offered on demand, they are impossible to find.
Sullivan points out that all this is really doing is pushing kids to go to their search engines and to start exploring the infringing sources Murdoch seems so angry about. Seems like more of the same old story we've heard over and over again... with the twist here being the fact that Sullivan is already paying three times for the same content and still can't get it legally.

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Redbox Won't Cave To Warner Bros. Demands; Will Buy WB DVDs From Other Sources And Rent Them

Mike Masnick Techdirt.

With all the talk of movie studios trying to create a new window between DVD releases for sales, and DVD releases for rentals, it's sometimes forgotten that Redbox tried to fight this fight a few years ago... and ended up in a big legal battle with the studios, before caving and agreeing to delay rentals. However, it appears that the company may be ready to fight back again. Rather than accept an increased 56 day window with other annoying restrictions, Redbox is apparently telling Warner Bros. to take its dumb idea and to shove it, because it'll just buy the DVDs from alternative sources:
However, after lengthy talks between WB and Redbox this month, the companies couldn't come to an agreement over the new demands from the studio.

Instead, Redbox has opted to turn to "alternate means" to purchase the films on DVD and Blu-ray it makes available to rent for as low as $1.20 a night through its more than 28,000 kiosks -- and offer them the same day they hit store shelves to buy, according to Redbox senior VP of marketing Gary Cohen.
This could get interesting, because the last time they had this fight, the studios sought to block companies like Walmart from selling to Redbox, and Walmart put in place some restrictions to make it harder for Redbox to do this. I still think Redbox could potentially crowdsource these purchases, and get around any restrictions.

Either way, it's stories like this that show why the First Sale doctrine is so important. Redbox should be able to buy from alternative sources and then be free to rent those movies. And that's the case due to "first sale" rights -- even if Warner Brothers wants to pretend they don't exist.

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Neil Young: Piracy Is The New Radio (But The Quality Sucks)

Mike Masnick Techdirt.

Neil Young apparently isn't too concerned about copyright infringement these days, according to his comments at the D: Dive into Media conference:
It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.
Of course, that's a bit of a reverse from back when he was angry that YouTube wasn't paying him money when people uploaded his songs. Still, it's good to see him come around to the view that infringement is, basically, a new form of radio. Artists like Chuck D have been making that argument for over a decade.

Young is still concerned... but about the fact that the quality of MP3 files sucks. He'd prefer technologies that provide a much fuller sound:
Steve Jobs was a pioneer of digital music, his legacy was tremendous. [...] But when he went home, he listened to vinyl.


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Beach Boys Lyricist Goes After Artist Who Dared To Paint Works Inspired By Beach Boy Songs

Mike Masnick Techdirt.

Peter Friedman alerts us to yet another ridiculous copyright claim (of which there have been a few) from a member of The Beach Boys. You may have heard that, last year, the Beach Boys' Smile album was finally released, despite being recorded in 1966. An artist, by the name of Erik den Breejen, found out about this, and he (a lifelong Beach Boys fan) set out to create a series of paintings inspired by the songs on the album. Sounds good, right? Art inspiring art. Not so much. After completing the works and getting set up with a gallery show to display the works, den Breejen reached out to Beach Boys lyricist Van Dyke Parks, who he figured would like to know about this. Turns out... that wasn't true. Instead, Parks shot back a cease-and-desist.
Instead of fighting back with lawyers, den Breejen and the gallery have approached Parks himself to try to negotiate some kind of out-of-court agreement. Parks was already credited in the exhibition’s press release and in a booklet den Breejen distributed at the gallery, but soon he could be considered a collaborator — entitling him to a percentage of the proceeds. (Van Dyke’s manager did not respond to a request for comment.)

Until the two sides settle their differences, the gallery has put on hold at least two sales inquiries
It's difficult to see how this is not fair use, but since we live in a world where fair use isn't determined until after an expensive court process, we'll never know in this case.

Update: Just some clarifications, as per the comments. Parks was a lyricist for the band, rather than a direct member. Separately the paintings do include lyrics from the songs, which should have been made clear. I don't see how either point really changes the overall analysis, however.

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The SOPA/PIPA Protest Shows Why There Needs To Be Complete Transparency With TPP

Mike Masnick Techdirt.

Lawyer Jonathan Band has written up an execllent analysis for why what happened with SOPA/PIPA (pdf) demonstrates why the Obama administration and the USTR in particular must be significantly more transparent when it comes to TPP, the Trans-Pacific Partnership agreement. TPP, of course, is the evil stepchild of ACTA. Rather than learning that excessive secrecy in ACTA was the wrong approach, it appears that the USTR simply determined that since it got away with being so secret with ACTA, it might as well double down and be even more secret with TPP. Not only that, but early reports and leaks from the ultra-secret TPP negotiations suggest that the USTR -- once again acting as the MPAA and US Chamber of Commerce's personal waterboys -- was trying to shove in every bad idea that it failed to get into ACTA.

However, as Band notes in his paper, the problems with excessive copyright legislation that impacts the internet is becoming a big issue with the public, and that shouldn't be taken lightly. Most of the paper goes through the specific problems of SOPA and PIPA, as well as the public's response to the attempts by the MPAA and US Chamber of Commerce to push through such a ridiculously bad bill that would impact internet sites worldwide. It then uses that to explain why the USTR simply needs to be more transparent:
The transparency surrounding TPP must increase. If the public feels that the provisions included in TPP jeopardize the openness of the Internet, it will strongly oppose the adoption of TPP. To prevent this from happening, the negotiations concerning the IP chapter must become more transparent. Drafts must be made available online for public comment. The fact that in the past some trade negotiations have had little transparency is irrelevant. The SOPA experience demonstrates that a new era of public engagement in IP policy has begun
Furthermore, Band makes the point that the USTR (and any government, really) can no longer pretend that copyright laws are obscure laws that do not impact the public. The public has hopefully now clearly established itself as a very important -- if not the most important -- stakeholder in any debates around copyright issues going forward.
Internet users care deeply about its vitality. The overwhelming public opposition to SOPA and PIPA generated by just one day of online protests indicates that the members of the public will take strong and immediate political action to protect this medium which has become a central part of their lives at home, school, and work. IP, at least to the extent it intersects with the Internet, is no longer an issue of only narrow technical interest.
Finally, the paper makes it clear that, no matter how many times the lobbyists backing these bills and trade agreements like to pretend that they don't impact US sites, that's simply laughable, and the public knows it:
IP rules can have a significant impact on legitimate websites. The Internet democratizes commerce and communications. Platforms such as eBay or YouTube allow individuals and businesses of all sizes to reach large audiences and markets. But IP rules that place too heavy a legal burden on the platforms for user activities, as do SOPA and PIPA, will constrain the growth of this Twenty-First Century medium of trade and discourse.

IP rules can affect international trade. The Internet does not recognize national boundaries. IP rules in one country can affect the operation of websites in another country. SOPA and PIPA would not only impose liability in the United States on non-U.S. websites that may be legal in their host countries; they also would interfere with the operation of these websites in their host countries. Provisions like SOPA and PIPA would allow countries – and indeed, individual companies – to erect trade barriers without following multilaterally agreed procedures with notice and due process.
These points seem obvious to many of us. The real question is whether or not the administration and the USTR recognize it yet. The fact that it's still been negotating the TPP agreement in secrecy suggests not. That it thinks it can get away with such blatant rent seeking for Hollywood interests, in the face of a public that is now paying attention to these issues shows an incredible disrespect for the public's best interests. It's a shameful statement on whose interests the USTR is really representing -- and the nature of crony capitalism in the US government these days.

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ICE Seizes 300 More Sites; Can't Have People Watching Super Bowl Ads Without Permission

Mike Masnick Techdirt.

Despite the massive failures of Immigration and Customs Enforcement's (ICE) program to seize domains on questionable legal theories, it's right back at it. ICE has just seized over 300 domains apparently all related to the Super Bowl (of course). They did this last year too... and now the US government is in court over it with the Rojadirecta sites. Many of the sites were selling counterfeit merchandise, which is a more reasonable target, but still seems to be overblown. I'm still at a loss as to how this is any of the government's concern, rather than a civil issue that could be taken up by the NFL itself. Do we really want law enforcement officials spending time working for the NFL?

Sixteen of the sites in question, however, were supposedly offering video streaming -- which is what Rojadirecta was accused of doing (under a bogus legal theory, since it didn't actually offer the streams, but merely links). In this case, ICE also arrested one guy for running a streaming site:
Additionally, Yonjo Quiroa, 28, of Comstock Park, Mich., was arrested Wednesday by special agents with HSI. He is charged with one count of criminal infringement of a copyright related to his operation of websites that illegally streamed live sporting event telecasts and pay-per-view events over the Internet. Quiroa operated nine of the 16 streaming websites that were seized, and he operated them from his home in Michigan until yesterday's arrest.

The website seizures during Operation Fake Sweep represent the 10th phase of Operation In Our Sites, a sustained law enforcement initiative targeting counterfeiting and piracy on the Internet. The 307 websites are in the process of being seized by law enforcement, and will soon be in the custody of the federal government. Visitors to these websites will then find a seizure banner that notifies them that the domain name has been seized by federal authorities and educates them that willful copyright infringement is a federal crime.
Of course, this has to raise a pretty significant question: exactly how is someone streaming the Super Bowl harming... well... anyone? The entire point of the Super Bowl is to get as many people watching the advertisements as possible. Having the game streamed only increases the number of people watching those ads. Who, exactly, is harmed by this?

In discussing these particular website seizures (not the ones about counterfeiting products), ICE ridiculously declares that it's somehow protecting American ideas from being stolen. Do they even realize how idiotic that sounds? What "idea" is being stolen when someone makes it easier to watch the ads that go with the Super Bowl?

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